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02. luglio 2004
Reviews
The Crawford Municipial Art Gallery in Cork
Helnwein one man show, 01. July 2004 - 01. August 2004 Irish and other Landscapes - Gottfried Helnwein at the Crawford Municipial Art Gallery in Cork
The Times:
"...these photo-paintings appear even more real than a photograph: they are hyper-real, super-saturated depictions of the world that surrounds us, as we would like to see it. Helnwein’s landscapes offer us the world as we see it in our mind’s eye, our memories. What is certain is that with these works Helnwein has raised the bar for artists to come with art that is groundbreaking in terms of scale, skill and vision. Painted mountains, fields and sky can never be the same again." ... 
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01. luglio 2004
- 04. settembre 2004
The Crawford Municipal Art Gallery
Cork
Ireland
Landscapes
July – August 2004
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01. giugno 2004
Studio
Los Angeles
Multi-media-installation for the Robert Schumann Festival 2004, Düsseldorf
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02. maggio 2004
www.xici.net
回应人: 穿了裤子的猫 发表日期: 2004-05-02 05:34:36
哦，这也行啊。 文章主题：无主题 本帖版权归原作者，其它媒体或网站转载请与e龙西祠胡同[http://www.xici.net]或原作者联系，并注明出处。 返回《你到底还想画画阿》 返回类别 匆匆过客不能发表言论,请登录或注册新用户名 ...
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25. aprile 2004
Studio
Ireland
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05. aprile 2004
Studio Helnwein
Ireland
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19. febbraio 2004
- 23. febbraio 2004
Seventh Regiment Armory, Park Ave. at 67th Street
The ADAA Art Show
The Art Dealers Association of America
Helnwein at Modernism Gallery San Francisco
Booth A25 Gala Preview Wednesday February 18. ...
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03. febbraio 2004
Studio
Los Angeles
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08. gennaio 2004
The Central Academy of Fine Arts, Beijing
China
Invited by Professor Fan Di'an, Vice President of Central Academy of Fine Arts
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2004
Städtischer Musikverein zu Düsseldorf e.V. gegr. 1818
Konzertchor der Landeshauptstadt Düsseldorf
Manfred Hill
Dokumentation über ein einmaliges Projekt in der Tonhalle Düsseldorf
Alle Beteiligten gingen mit Akribie an die Arbeit. Sie verbanden, unter der Leitung von GMD John Fiore, die wunderbare Musik Robert Schumanns mit einer von Gregor Seyffert und Gottfried Helnwein großartigen szenischen Umsetzung des Textes von Thomas Moore. In fünf Aufführungen fanden sich mehr als 6.000 begeisterte Zuhörer und Zuschauer in der Tonhalle ein. Den Beifall des Publikums konnte man an jedem Abend „frenetisch“ nennen.
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