 |  |  | |  | |  | |  | |  | |  | |
|
|||||||||||||||||
| | |
|||||||||||||||
| | | |
||||||||||||||
| | |
|||||||||||||||
| | | |
||||||||||||||
 |  |
 |
1992
Cork
Ireland
Helnwein organizes the first Carl Barks Museum retrospective
Helnwein briefes Roy Disney on the preparation of the Carl Barks museum retrospective and the publication of the book "Wer ist Carl Barks?" (Who is Carl Barks?), and discusses the influence of Walt Disney's aesthetics on the culture of the 20th century.
...
|
| |
 |
1992
Leopold Hoesch Museum, Düren
Germany
Helnwein, “White Christmas”
Installation ...
|
| |
 |
1992
Benedikt Taschen
Cologne
Andreas Mäckler.
text by Andreas Mäckler.
...
|
| |
 |
1992
Edition Stemmle
Schaffhausen
hardcover
text by William S. Burroughs, Heiner Müller and Reinhold Mißelbeck. ...
|
| |
|
1992
The Schoemer Collection at the Foundation Fiecht, Austria
Benediktinerabtei, St. Georgenberg
group show
...
|
|
| |
|
1992
Publishing House C.H. Beck, München
Interview with Gottfried Helnwein
Andreas Maeckler
Gottfried Helnwein, "PAINTINGS SHOULD BE LIKE ROCK MUSIC"
The painter of stark, often provocative pictures was interviewed by Andreas Maeckler.
The result is exciting to read from beginning to end. Helnwein expresses himself in an outspoken and direct manner, without letting himself be drawn into profound theories. It is interesting to note that he confesses not to be able to say why he paints a picture. "I have never met an artist who thinks about this while he is working. And whenever he does comment about this, he must be lying." (Münchner Merkur, June 4. 1992) ...
|
|
| |
 |
1992
Leo Castelli Gallery
New York
...
|
| |
 |
1992
William S. Burroughs
poet
Helnwein, Faces
Edition Stemmle It is the function of the artist to evoke the experience of surprised recognition:
to show the viewer what he knows but does not know that he knows. Helnwein is a master of surprised recognition. ...
Gottfried Helnwein, HELNWEIN FACES
|
| |
 |
01. dicembre 1991
EMMA
Bis jetzt gab es sie nur einmal, die "48 Portäts von Persönlichkeiten, die die Moderne beeinflussten". Sie hängen in der Eingangshalle des renommierten Kölner Museum Ludwig, gemalt Anfang der 70er Jahre in fotorealistischer Manier von Gerhard Richter, 59. Die weniger nach inhaltlichen und mehr nach formalen Kriterien ausgewälten Porträts haben nicht nur einen Haken, aber den vor allem: sie zeigen ausschliesslich Männer. 20 Jahre später antwortete der Maler Gottfried Helnwein, 43, seinem Kollegen: Er malte die "48 Frauen-Persönlichkeiten". Die Wand im Museum, die den Männern gegenüberliegt, ist noch frei.
...
Gottfried Helnwein, "48 Portraits" of woman as counterpiece to Gerhard Richter's "48 portraits" of men
|
| |
 |
26. luglio 1991
Süddeutsche Zeitung
Magazin
Christian Kämmerling
Interview mit Keith Richards
Keith Richards Portraits von Gottfried Helnwein
...
|
 |
|  |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| | | |||||||||||
| ALL | 2008-2007 | 2006-2005 | 2004-2003 | 2002-2001 | 2000-1999 | 1998-1997 | 1996-1995 | 1994-1993 | 1992-1991 | 1990-1989 | before 1989 |
|
