Gottfried Helnwein | STAMPA | Internet | HELNWEIN SHOWS THE PUBIS

Did you know that Gottfried "Helnwein also has a strong sense of theatre. He has worked in opera, designing sets and costumes for Maximilian Schell and working with the equally notorious Austrian choreographer Johann Kresnik. His poster for the 1988 production of Lulu at the Deutsches Schauspielhaus in Hamburg caused outrage across Europe. A tiny Sigmund Freud in a long coat stares up at a gigantic woman, who lifts her skirt to expose her vagina. The opposite of porn, it provocatively illustrates Wedekind's view of a sexually ambiguous bourgeois society on the brink of destruction. This iconography overturns the 1929 screen image of Louise Brooks as Lulu in G W Pabst's Pandora's Box. Whereas that film presents us with a face, Helnwein shows the pubis. " . . . according to an article by Julia Pascal in the current issue of New Statesman, a very serious British journal.


		07. aprile 2006 LOUISE BROOKS SOCIETY louisebrooks.livejournal.com HELNWEIN SHOWS THE PUBIS Did you know that Gottfried "Helnwein also has a strong sense of theatre. He has worked in opera, designing sets and costumes for Maximilian Schell and working with the equally notorious Austrian choreographer Johann Kresnik. His poster for the 1988 production of Lulu at the Deutsches Schauspielhaus in Hamburg caused outrage across Europe. A tiny Sigmund Freud in a long coat stares up at a gigantic woman, who lifts her skirt to expose her vagina. The opposite of porn, it provocatively illustrates Wedekind's view of a sexually ambiguous bourgeois society on the brink of destruction. This iconography overturns the 1929 screen image of Louise Brooks as Lulu in G W Pabst's Pandora's Box. Whereas that film presents us with a face, Helnwein shows the pubis. " . . . according to an article by Julia Pascal in the current issue of New Statesman, a very serious British journal.


		NAZI DREAMING Julia Pascal New Statesman UK 10. April 2006 ART - Julia Pascal on the man set on reminding Austria of the past it would rather forget NAZI DREAMING, by Julia Pascal